For the most part, Key Notes isn’t a fan of traditional print media.  Occasionally, modest individual that he is, he has been known to glance at reviews to see how they compare with his own.  On Monday, however, something caught Key Notes eye that raised a smile and yet caused him to sigh most un-contentedly.  Under the headline "Industry in Crisis as Album Sales Drop by 10%"  IRMA (the Irish Recorded Music Association) CEO Dick Doyle bemoans the fourth consecutive year of a double digit drop in sales.

Mr. Doyle was complaining that the Irish music industry was worth only €110m in 2007.  That's approximately 1.7% of the value of the US Music Industry in 2006.  Now, given that the Irish Population is about 1.4% of the US Population, this shows that the Irish music industry is actually performing better than its US equivalent as the industry here is worth around €26 per person, while in the US, home to the largest music industry in the world, it is worth only €21.75 per person.  Going even further – by taking into account the fact that only about 65% of the total population of Ireland and the US are of music purchasing age – those figures increase to €40 and €33.50 respectively.

Given that we are in the age of the digital download it is only fair to look at what this €40 could be worth to the Irish music industry.  Firstly, with iTunes the average price of purchasing an album is €9.99.  That means that Irish people (or those of music purchasing age) could have purchased 4 albums for their €40 last year.  With 140 Irish albums being released in 2007 that were valid for consideration for the Choice Music Prize, theoretically each of these bands could have sold almost 80,000 copies of their releases.  An impressive figure I’m sure you’ll agree, and one that should have IRMA encouraging the use of technology in purchasing music. 

However, IRMA appear to be more focused on illegal downloading and spending money on catching those evil boys and girls who 10 years ago were taping songs off the radio than they are on encouraging their members to embrace legal downloading, either through their own website or through facilities like iTunes.  How else can you explain why IRMA continues to utter nonsense such as "There are tens of thousands of jobs gone in the US and it is all to do with one thing only and that is illegal downloads."

Thinking about it for all of ten seconds Key Notes can list three other factors that might be equally responsible:

1. The general downturn in the world economy
2. Cheap imports of CD’s from the likes of Play and CD Wow
3. New music retailers like Starbucks and Tesco entering the market

At an industry discussion Key Notes attended yesterday evening (thanks KT!), key players within the Irish industry – from musicians to journalists and managers to label bosses – agreed that whatever the cause of the current problems, the solution was that everyone, from the musician right up to the label boss, had to up their game.  Could it be that the radical solution needed to ‘save the industry’ is – shock horror – creating better music as a musician and making smarter decisions as a label?  It couldn't be that simple could it?

So, do you agree with IRMA when they say that the industries only problems are with illegal downloads or, if you live in the real world, do you think that the problem is multifaceted and that perhaps not giving musicians obnoxious sums of money at the expense of other artists might actually be a good thing?  Either way, Key Notes would love to hear your comments below.

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The Choice Music Prize is now in its third year and, to date, Key Notes has a 0% record in predicting the winner.  However, the third time's the charm and, to celebrate my confidence of a positive result this time, I'm not only going to predict the winner, but the shortlist also.  Now, clearly, this could blow up in Key Notes face, but along with Nialler and Shane, it's only meant as a bit of fun so Key Notes expects no angry letters or calls to Liveline if he's wrong.

The Shortlist 

Cathy Davey - Tales of Silversleeve 

Future Kings of Spain - Nervousystem 

Mumblin' Deaf Ro - The Herring & the Brine 

The Flaws - Achieving Vagueness

 

Roisin Murphy - Overpowered  

 

 Adrian Crowley - Long Distance Swimmer 

A Lazarus Soul - Graveyard of Burnt Out Cars 

God is an Astronaut - Far From Refuge 

Jenny Lindfors - When the Night Time Comes 

Delorentos - In Love With Detail

The Winner

So, here goes nothing, the winner of the Choice Music Prize 2008 will be: *insert drum roll* Adrian Crowley for Long Distance Swimmer.  Remember kids, you read it here first.  Future Kings and Cathy Davey will both be unlucky to miss out.

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Biffy Clyro (live in The Ambassador Theatre, Dublin)

Review Snapshot:  If you've ever had a lover who's traded you in for a younger, more fashionable model, you'll know exactly how I feel after Biffy's performance tonight.  Sure, they still casts longing glances in your direction that make you feel all warm inside, but you know, in your heart of hearts, that they're more interested in the Top Shop Rock & Roller now and that, alas, your time has passed.

The Cluas Verdict? 5 out of 10

Full Review:
Arriving at 8pm to ensure I could get a good spot near the front, I was surprised to see that The Future Kings of Spain were already onstage and had begun their support slot.  What surprised me even more was the crowd.  Suddenly, I felt as if I'd turned up at a My Chemical Romance or HIM gig as there was enough black and white stripes on show to repave every zebra crossing in the country.   And they were so young.  I thought I'd at least hit the 30 mark before I felt old at a gig but tonight I genuinely did.

The Future Kings of Spain set contained some 'interesting' versions of old and new songs and culminated in a full version of Syndicate, without doubt my favourite song this year.  Lead singer Joey Wilson's remark that 'It's nice to see a big crowd here to support Biffy Clyro,' sparked memories of the first time I saw both bands in The Temple Bar Music Centre many years ago.  Essentially, the venue contained my future wife and brother in law, various members of Snow Patrol and JJ72 and, well, that's about it.  Tonight, however, while the venue isn't quite full, it's clear that support for Biffy is growing.

Entering to Bowie's Let's Dance; Biffy launch their set with the rousing triumvirate of Saturday Superhouse, Who's got a Match and Justboy.  The reaction of the crowd to the three is bizarre.  The first two, taken from Biffy's latest album, Puzzle, are warmly greeted but for Justboy, taken from the bands debut album, Blackened Sky, the reaction is much more muted.  As the set goes on I begin to figure out why. 

There are two distinct sets of fans here to see Biffy tonight.  One, like myself, who are beginning to believe that Biffy's greatest work is behind them and that they've yet to improve on anything Blackened Sky or The Vertigo of Bliss had to offer.  The other set, like the group in front of me who had a body odour contest during All The Way Down, have come to Biffy at a time when the band are exploring a new, more mainstream, direction.  Of course, there were people here tonight who like both Biffy's, but to me there is a clear shift in their fanbase with age being the most defining characteristic.  I became a fan of Biffy Clyro because they made music that appealed to me at 19 or 20.  Tonight I realise that Biffy's new musical direction appeals to the very same age group, but no longer to me.

Only twice tonight does the whole crowd unite; both times in the encore.  Machines is performed solo by Simon but he has the entire crowd on backing vocals.  And then, the final song of the evening, 57.  It's the best version I've heard of Biffy's trademark song yet, and it's great to see the band perform the song with as much enthusiasm this time, possibly the one thousandth time they've played it, as the first.  It does, however, leave a taste in the mouth.  This is what might have been for Biffy but they've chosen another path and good luck to them.  On nights like this though, I wish they'd stop teasing me with reminders that they were the one who got away.

Steven O'Rourke

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Key Notes is a wee bit delicate after its Christmas party last night but still dragged itself (literally!) to the nearest PC to bring you the third instalment of the 'critically aclaimed' Key Note Speaker.  Ruairi Ferrie (multi instrumentalist and vocals) of Dark Room Notes has taken time out of a busy schedule that includes recording for the new series of Other Voices to become this week's speaker. 

Favourite Songs from the Past Year
Roscoe - Midlake
Atlas  - Battles
Phantom Limb - The Shins
Sexy Back - Justin Timberlake
Let The Freak Come Out At Night - Spilly Walker
Beautiful Burnout -  Underworld

Favourite Song Ever
Cars and Girls - Prefab Sprout

Favourite Dark Room Notes Song
Let's Light Fires

Favourite New Band/Artist
Bat for Lashes

Favourite Band/Artist Ever
Talking Heads

Favourite Gig This Year
!!! at Electric Picnic

Favourite Gig Ever
Predictably - Arcade Fire at Electric Picnic 2005

Favourite Dark Room Notes Gig Ever
Month of Sundays in Nimmos in Galway in November

Favourite Venue
Glenstal Abbey

Favourite Piece of Musical Equipment
88mm plectrum

Download or CD/Cassette/Record
Bring back cassettes, and the mixtape

Favourite TV Show at the Moment
The Mighty Boosh

Best Movie Ever Seen
Stop Making Sense - Talking Heads/Jonathan Demme

Greatest Book Ever Read
The Moor's Last Sigh - Salman Rushdie

Most Listened to Radio Show
Small Hours - Donal Dineen

What’s in Store for Dark Room Notes Next
We've a big Christmas gig in Whelan's on Dec 21st.  After a small Christmas break we'll launch straight into recording our debut album.

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Interpol (live in The RDS, Dublin)

Review Snapshot: There are certain ingredients that, when combined in appropriate quantities, make the gig going experience more enjoyable. Personally, I find the best gigs combine a good helping of cold beer, a sprinkling of atmosphere and a bucketful of songs, all mixed together in a decent venue. It's a pity then that Interpol only got two of the four right tonight, and they weren't even serving the beer.

The Cluas Verdict? 3 out of 10

Full Review:
For weeks there has been a little voice inside my head telling me not to go to Interpol tonight. As is often the recommended course of action, I ignored it. I also ignored the fact that the gig was taking place in the RDS a venue that, despite attending more gigs than my otologist would deem safe, I had yet to attend. You see, the Royal Dublin Society and I have history.

 Those of you who’ve left school or college recently will be more than familiar with the RDS as the designated venue for a succession of dull employment and further education seminars. I used to hate these days with a passion matched only by my love of Athletic Bilbao and music.  However, it appeared that I was destined to be dragged along by one Career Guidance Councillor after another. ‘What would you like to do after college?’ they’d ask. No matter my reply, from ‘I’d like to herd lama’s in the Peru’ to ‘I want to spend my working day writing for CLUAS', said Councillor would say ‘Oh, great, well there’s the perfect seminar on in the RDS this weekend, I’ll bring you.’

 And that’s what the RDS is; a seminar venue. It has all the charm of a mugger and all the subtIety of Las Vegas.  It’s not appropriate as a music venue and it’s not an appropriate setting for seeing your favourite band. Up until tonight that’s exactly what Interpol were, but after a lack lustre performance I’m no longer sure. The songs were tight and the sound was excellent, but if I wanted to hear Interpol play the songs exactly as I'd heard them on my MP3 on the way in, I’d have stayed on the bus.

 A set that started so promisingly with Pioneer to The Falls and Obstacle 1 just failed to ignite. Anytime momentum built, such as when crowd favourites Evil and The Heinrich Maneuver were played back to back, Paul Banks and Co. would conspire to pull back and play a slower track. It was almost as if they were afraid of bringing the roof down, as Kings of Leon managed earlier this week.  Banks looked as if he'd been dragged along to one of the aforementioned seminars and seemed more intent on racing through the set-list – 15 songs in one hour – than building up a rapport with the audience. Cool, disinterested stares are all well and good for the front of Rolling Stone, but when hundreds of punters have paid close to €50 to see you the least they can expect back is an acknowledgement of their presence.

Despite all of this, the performance of each individual song cannot be faulted; Slow Hands and No I in Threesome being particular highlights. But, as those of you who attend more than one gig a year know, it takes more than just good songs to make a good gig. Great gigs, the ones that leave you grinning like an idiot when you think about them weeks, months, even years later, leave you covered in sweat, down on your knees and begging for more.  Tonight, Interpol showed up and delivered a performance that was as forgettable as that other thing, you know the one, with the hair, no?

Overall, as my Guidance Councillor said far too often, ‘Must try harder.’

There are certain ingredients that, when combined in appropriate quantities, make the gig going experience more enjoyable. Personally, I find the best gigs combine a good helping of cold beer, a sprinkling of atmosphere and a bucketful of songs, all mixed together in a decent venue. It’s a pity then that Interpol only got two of the four right tonight, and they weren’t even serving the beer.

Steven O'Rourke

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This edition features A Lazarus Soul; the Dublin band whose recent single, Day I Disappeared, had those righteous boys and girls in Sinn Fein up in arms (if you'll forgive the pun).  Graveyard of Burnt Out Cars, the bands sophomore album has also been nominated for the CLUAS Album of the Year 2007.  Here, lead singer Brian Brannigan becomes the second Key Note Speaker. 

Favourite Songs from the Past Year
Racing Like a Pro - The National; Pass This On - The Knife; Little King December - Pat Barrett; Lost & Found - Future Kings of Spain

Favourite Song Ever
I could never pick just one out but Horseleg Swastikas - Silver Jews and Sunday Morning - The Velvets would be both up there

Favourite A Lazarus Soul Song
Trip Switch

Favourite New Band/Artist
The Ruby Tailights.  They released one of the best Irish albums of all time last year, Dressing Up

Favourite Band/Artist Ever
The Smiths or The Fall

Favourite Gig This Year
The National in The Olympia or The Rolling Stones in Slane

Favourite Gig Ever
So many to choose from.  The first time The Flaming Lips played Vicar Street; Julian Cope in Kilmainham Hospital in 1993 and Whipping Boy in the Project Arts Centre many moons ago

Favourite A Lazarus Soul Gig Ever
I prefer playing clubs.  We played Radiator with The Laundry Shop and also Death Via Satellite in Doran's.  Two of my favourites of those that I can recall

Favourite Venue
I think seeing the likes of Smog or Sparklehorse in Whelan's is incredible.  It's such a small venue for such legendary bands.  My favourite venue to play would be Kennedy's on Westland Row or The Hub

Favourite Piece of Musical Equipment
My Yamaha CSX1 Keyboard

Download or CD/Cassette/Record
Vinyl, always vinyl.  I only buy records and then steal MP3 versions for my iPod

Favourite TV Show at the Moment
I'm a big fan of cinema and DVD's over TV but I was a huge fan of The Sopranos.  It feels like a part of me has died now that it's finished

Best Movie Ever Seen
Naked - Mike Leigh; Nil by Mouth; The Last Great Wilderness; Willy Wonka

Greatest Book Ever Read
The Bible

Most Listened to Radio Show
I don't listen to much radio anymore but when I do it's Phantom

What’s in Store for A Lazarus Soul Next
Me & Maradona Dunne will be the final single from Graveyard of Burnt Out Cars and will be released in late January with some gigs to promote it.  We'll start rehearsing new material in the New Year and we'll hopefully try out some new songs at those gigs

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Ah Christmas, the most wonderful time of the year.  That is, of course, if wonderful is defined as stress filled, panic buy inducing madness!  Luckily for this Blog, whose agoraphobia appears to increase in direct correlation to the number of people selling sheets of wrapping paper '3 for €2', Mrs. Notes takes care of most of the Christmas shopping in these parts.  There are, however, two notable exceptions; Mrs. Notes' gift and any music related gifts that need to be purchased. 

This year has been by far Key Notes' easiest year yet.  The fact that the CLUAS 'Shortlist' for the Album of the Year stretches to 40 titles is a testament to the quality of music released this year.  Personally, as your resident Irish indie music commentator, Key Notes is especially proud that Irish releases make up almost 25% of the shortlist. 

So, if you're still unsure as to what to buy your loved one this Christmas, let Key Notes guide you through its selection of this years 'can't fail'* alternative music gifts.

For Your Dad
You've seen him at weddings with his tie wrapped around his head, head-banging to AC/DC and you know that he has an inner rock god buried deep beneath his Mondeo driving exterior.  Yet, every year, without fail, you buy him socks or cufflinks because you can't think of anything else.  Not this year though.    Raising Sand, the haunting, slightly disturbing, and yet still brilliant collaboration between Robert Plant and Alison Krauss allows him to relive his youth and keep his dinner party guests happy.

For Your Mum
It would be very easy to buy Il Divo or Take That for your mum but really, she gave birth to you, therefore she deserves better.  If she was a Prefab Sprout fan in her youth why not give her Neon Bible, Arcade Fire's homage to all things Paddy McAloon.  She'll enjoy it much more than Il Divo and it's not nearly half as embarrassing as having to explain to the sales person that it's for your mum, not you.

For Your Siblings
Without a doubt Key Notes favourite album of this year; Nervousystem is the second album from the Future Kings of Spain.  Your brother will thank you in years to come for ridding him of his fascination with all things My Chemical Romance while your sister will appreciate Joey Wilsons trademark disinterested drawl; Mrs. Notes certainly does.  Alternatively, there's Cathy Davey's Tales of Silversleeve, an album as remarkable as it was unexpected.  A work of genius to pleasure the ears of siblings of all ages.

For Your Partner
Finally, the age old dilemma of what to put in his/her Christmas stocking.  It should, of course, depend on that persons musical taste.  However, you should note that it doesn't matter if they'd appreciate Wilco's Sky Blue Sky more than the Kings of Leon or if they'd prefer Interpol over The Flaming Lips.  The real key to choosing an album for your partner is to pick something you like, especially if you're living with this person.  Trust Key Notes when it tells you; they're going to make you listen to it!

*Key Notes takes no responsibility should any of these recommendations result in divorce or disownment.

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This edition features Headgear; the Limerick band whose album Flight Cases has been shortlisted for the CLUAS Album of the Year 2007. The musical project of Dublin Born Daragh Dukes (DD); Headgear describe themselves as a ‘collage of folk, electronica and rock.’ Along with colleague Barra O’Toole (BO'T) - Headgear’s ‘Guitar Department’ - Dukes becomes the inaugural Key Note Speaker.

Favourite Songs from the Past Year
DD: My Body is a Cage - Arcade Fire; Atlas - Battles; 15 Step - Radiohead
BO’T: Sunny Sweeny's - I'm Gonna Be The Next Big Nothin

Favourite Song Ever
DD: Moon River - Henry Mancini
BO’T: Danny Whitten - I Don't Want To Talk About It

Favourite Headgear Song
DD: Generally it's the next one I'm going to write
BO’T: Will They Be Friendly? and the, as yet unwritten, At Least The Gun that's At My Head Is Mine

Favourite New Band/Artist
DD: Fight Like Apes sound like good craic
BO’T: Sunny Sweeny

Favourite Band/Artist Ever
DD: I would change this every day. Today, though, I will say Tom Waits
BO’T: Neil Young, Hank Williams and many others if I'm drunk and they happen to come on the music playing machine I'm hanging on to for dear life in the corner. And The Bothy Band   

Favourite Gig This Year
DD: Si Schroeder at The Electric Picnic
BO’T: Felonius A. Salt and the Bottle of Rum, Crawdaddy, Dublin

Favourite Gig Ever
DD: Radiohead at The Olympia
BO’T: Ron Sexmith at The Belltable, Limerick about 12/13 years ago

Favourite Headgear Gig Ever
DD: It's going on in my head at the moment
BO’T: Cherry Jam, London

Favourite Venue
DD: Guerin's Bar, Castleconnell
BO’T: Dolan's, Limerick

Favourite Piece of Musical Equipment
DD: My old Jazzmaster that i bought for 200 quid 16 years ago
BO’T: A finely polished Bugle

Download or CD/Cassette/Record
DD: They've all got something to offer but vinyl definitely has more to give
BO’T: No preference. Do people still use cassette?

Favourite TV Show at the Moment
DD: I don't know anything about it
BO’T: Just finished a couple seasons worth of the US version of The Office. FACT: Very funny. And before that 30 Rock. I don't watch anything week to week

Best Movie Ever Seen
DD: 2001 A Space Odyssey
BO’T: Singin' In The Rain...depending on my mood...Dead Man directed by Jim Jarmusch. Or if it's after midnight Key Largo or The Maltese Falcon or probably anything with Humphrey Bogart

Greatest Book Ever Read
DD: Pnin by Nabokov
BO’T: The Stories of Breece D'J Pancake and Tim Burton's The Melancholy Death of Oyster Boy. And The London A-Z...obviously

Most Listened to Radio Show
DD: JK Ensemble
BO’T: I don't own a radio

What’s in Store for Headgear Next
DD: New version of To Heaven will be released end of January 2008 along with some live shows. A new album should be finished late 2008 - Headgear's Wild West - is the working title
BO’T: I can only speak for everyone ever connected with Headgear when I say that sobriety and surrender are not an option. The Treachery is too far gone. We will walk with The King next year. And maybe try for a guest appearance on Hall's Pictorial Weekly

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Key Notes doesn’t do politics. Well actually it does, but would be so inclined to rant and rave that it wouldn’t make for great reading material on a Friday afternoon. However, the current assault on the people of Pakistan and the swift and severe oppression of any form of protest against it, led your easily stirred blogger to consider protest songs and their history. 

A good table-quiz factoid for you is that the oldest protest song on record is The Cutty Wren, a composition from the 14^th century speaking out against the feudal system in place in England at that time. Despite the rumours however, I could find no evidence that it was actually written by Steve Tyler.

Though its origins were in England, it was in America where the protest song emerged as a beacon of hope for those tired of the status-quo (though many were said to have enjoyed Rockin’ All Over the World).  

The 20th century proved fertile ground for American musicians when it came to penning their protests. The lyrics "Southern trees bear strange fruit / Blood on the leaves and blood at the root / Black bodies swinging in the southern breeze" from Strange Fruit (famously recorded by Billie Holiday) were penned by Lewis Allen in response to the lynching of two black men. The songs impact was such that it was still being used in the Civil Rights Movement 30 years later, and was cited by Bob Dylan as an inspiration in (the excellent by the way) No Direction Home. 

Dylan himself was responsible for thousands of buskers inflicting the world with their version of Blowin’ in The Wind, one of the most recognisable and popular protest songs ever written. The fact that it wasn’t written about a particular event but simply posed a number of questions designed to make the listener question themselves and the world around them has allowed it to stand the test of time. Of course, this was before Dylan was hawking iPods and SUV’s, but the song struck a chord and was used as an anthem for protestors of the Vietnam war, and most wars since.  

Of course the Sixties produced a huge volume of protest songs from Respect to Give Peace A Chance and many of these are still used today. Indeed many commentators lament the lack of original protest songs emerging from today’ musicians. 

While it’s true that there are some laughable attempts at protest songs around (Green Day or George Michael anyone?) there are some great examples of the genre emerging in response to US foreign policy. Neon Bible, for example, is littered with references to the state of paranoia created by the Bush government. Neil Young’s Living With War was even more blatant in it’s critique. However, perhaps the greatest protest song written this century (in Key Notes humble opinion) was penned by, the frustratingly inconsistent, Bright Eyes. 

Containing the stinging opening verse; "When the president talks to God / Are the conversations brief or long? / Does he ask to rape our women’s' rights / And send poor farm kids off to die? / Does God suggest an oil hike / When the president talks to God?" it is a powerful critique and its rawness touched a chord with a great of disillusioned and disgruntled people. It’s a pretty good song too which always helps. So to the people of Pakistan, and indeed anyone living under the pretence that democracy is for your benefit and not for theirs, Key Notes presents Mr. Conor Oberst, When The President Talks to God.

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Life is full of tough decisions; Monty Python or Father Ted, (not the real) Ronaldo or Messi, the Red Pill or the Blue Pill? However, these are decisions you can make yourself without the need to consult anyone or anything. But what happens when you have to take a decision that someone else has to agree 100% with? Key Notes faced this quandary recently when attempting to choose the song that would mark his marriage to Mrs. Key Notes. 

As those that were there will probably frustratingly attest to, the first dance was one of the few traditions that Mr. & Mrs. Key Notes were willing to adhere to in our recent nuptials. However, if Key Notes had of known it would have taken almost two years to decide on a song, it may have been another tradition he was willing to eschew. Having agreed that it had to be something both parties were happy with, a veto system was established. 

The first choices were Time After Time by Cyndi Lauper & Sarah McLachlan and Freewheel by Duke Special. Both were vetoed as being, respectively, "too soppy" – Mrs. Key Notes and "too popular now" – Key Notes (music is the one area of ones life where snobbery is acceptable). First Day of My Life by Bright Eyes was then suggested and for a while it seemed that it would make the grade, but it too was to fall by the wayside because of "musical differences".  With the wedding only a couple of weeks ago, and the DJ emailing on a daily basis for a decision, Key Notes was unsure if a compromise could be reached. 

However, Mrs. Key Notes, as is her way, was to come to rescue. "What about ‘South’?" she suggested absentmindedly one day. A furious search through one’s mp3 collection came to nothing and it was only thanks to Key Notes new Brother in Law/Son (don't ask!) that we were even able to listen to the song, let alone choose it.  However, upon first listen (Key Notes had heard the song before of course, but never considered it for this particular situation) the decision was made. Given the circumstances it was the perfect song, and Key Notes learned a valuable lesson that day; Mrs. Key Notes is always right! 

So here it is, South by Pilotlight, formerly Polar. 

Key Notes doesn't enjoy talking about himself, so would like to know what you chose/would choose as your first dance and why?

 

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