The CLUAS Archive: 1998 - 2011

12

There seems to be a trend among female singers in Paris at the moment: sounding like Lou Reed and the Velvet Underground.

In the last twelve months there have been three noteworthy albums drawing on the Velvets' distinctive droning guitar sound and the spoken-word vocal style of Reed's solo records.

We've already mentioned Ultra Orange and Emmanuelle - the group fronted by Emmanuelle Seigner (right), the French actress and wife of Roman Polanski. The band's eponymous album was released earlier this year, led off by VU-esque single 'Sing Sing'.

Keren-Ann (left) is not French - she was born in Israel and raised in the Netherlands. However, she moved to France at age 11 and her early albums were in French - which is why she's filed among the French singers in Paris record shops.

Her self-titled fifth album was recorded in Paris and New York - indeed, its opening two tracks, the singles 'It Ain't No Crime' and 'Lay Your Head Down' sound heavily influenced by Reed's 'New York' album.

As for Keren-Ann's record, it's a fine album of intimate folk-flavoured songs that also draw heavily on Leonard Cohen.

However, trumping both Emmanuelle and Keren-Ann is one Vanessa Contenay-Quinones (right). Her band Vanessa And The O's (featuring James Iha of the Smashing Pumpkins on guitar) released a fabulous album last year called 'The Story Of O'.

It's a veritable VU tribute album; not only does Vanessa sound like a more tuneful Nico, but she also drops numerous Reed references into her songs. There's even a track called 'J'Attends Lou' ('I'm Waiting For Lou').

If grabbing the attention of the great man was her objective then it's certainly worked - Vanessa has recently been recording tracks with Reed in New York.

From 'The Story of O', here's a very glamorous-looking Vanessa posing around London in the video for the unbearably catchy 'Bagatelle', the best French single of 2006:


More ...

[Read More...]

Actions: E-mail | Permalink |

Search Articles

Nuggets from our archive

2004 - The CLUAS Reviews of Erin McKeown's album 'Grand'. There was the positive review of the album (by Cormac Looney) and the entertainingly negative review (by Jules Jackson). These two reviews being the finest manifestations of what became affectionately known, around these parts at least, as the 'McKeown wars'.