Discussion Forums

PrevPrev Go to previous topic
NextNext Go to next topic
Last Post 8/12/2009 6:09 AM by  Binokular
Labels increase their revenue share
 2 Replies
Sort:
You are not authorized to post a reply.
Author Messages
eoghan
Basic Member
Basic Member
Posts:331


--
8/10/2009 4:25 AM
    Check out these pie charts. they are from the Gower’s Report (a study of intellectual property rights in the UK conducted by former FT editor Andrew Gowers). Labels are getting a bigger slice of the digital download cake than they do with CDs! Will this persuade more acts to go it alone, a la Radiohead and NIN? Or will artists succeed in a push for a bigger slice of the cake? I think it more likely that the iTunes of the world will angle for a bigger slice, and may just succeed....

    Idiot Kid
    Basic Member
    Basic Member
    Posts:217


    --
    8/11/2009 6:26 AM
    Wow...that's amazing. I wonder is there any other industry where the creator of the product ends up with the smallest cut?
    Binokular
    Veteran Member
    Veteran Member
    Posts:1665


    --
    8/12/2009 6:09 AM
    Posted By Idiot Kid on 11 Aug 2009 06:26 AM
    Wow...that's amazing. I wonder is there any other industry where the creator of the product ends up with the smallest cut?


    You'd be surprised how small the manufacturers/farmers cut is on many products on the shelves of your local tesco. ...but it does prove one thing, there's a hell of a lot of wriggle room for labels to lower the price per song. Frank Black recently said that we ought to be living in a "five dollar world", i.e. new movies and albums should retail at about 5 dollars (€3.50) to make them more of an impulse purchase. At those sort of prices, you'd be more likely to take a chance on stuff, leading to a more dynamic and interesting pop charts. There's way to much focus in the big labels on "event releases", big artists that you hedge all your bets on for the year. This isn't indie elitism, its common sense, the era of the huge MTV type star had been over for a long time. Cheap downloads, lower profit margins, but bigger turnover is the secret I think. Some have also suggested "all you can eat" subscription models for downloads, but it's very hard to make that work along with providing access to all the different record label catalogs under the one umbrella, and also to compensate artists fairly. I think realistically any subscription model has to be capped. Personally I'd like to see a world where music is still paid for (thus allowing people to make a living out of it), but so cheap that its an impulse purchase for non hardcore music fans, making the pop charts unpredictable and relevant again.
    You are not authorized to post a reply.