The Courteeners have stormed back into the consciousness of indie fans with their impeccable second album ‘Falcon’. They’ve created a distance between the Oasis style lad-rock that was so prevalent on their debut ‘St. Jude’, which has the potential to get them a much larger audience. Like almost every indie band in the land they’ve got strings on this album, but only as a subtle addition to the foot-stomping and energetic guitars and drums which blaze throughout. If you thought ‘St. Jude’ was good, then you’ll be blown away by ‘Falcon’.

Besides the fascinating photography the CD booklet is adorned with, there’s an album of consistently interesting and attention-grabbing tracks. The aptly titled opening track ‘The Opener’ details front man Liam Fray’s love for his hometown of Manchester, while their latest single ‘You Over Did It Doll’ makes a cross over into a previously unseen side of The Courteeners, primarily due to the dance style of the song. It’s something which could easily be considered quite bizarre, but they’ve got it right on point. The whole album is collection of thoughtful and heartfelt tracks, but mainly with an upbeat tempo. ‘Falcon’ easily has the potential to be one of the best albums of 2010.

In other news the NME Awards took place in London’s Brixton Academy last week hosted by the ever affable Jarvis Cocker. As per usual there was a shortage of Irish acts getting a look-in. However, Villagers’ recent signing to the legendary Domino label may just change that. Paul Weller was awarded the ‘Godlike Genius’ award and people with mullets everywhere rejoiced at the possibility that he just might make them fashionable again. On the live performances front there was a staggering collaboration between Biffy Clyro and Marina & the Diamonds on ‘Many of Horror’.  Have a look at the surprisingly suited collaboration below:

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One of our favourite French acts are John & Jehn (right).

We've told you about them before - a French couple living in London and making dark, swaggering electro-rock. John plays Velvet Underground-style scuzzed-down '50s riffs on his guitar, while Jehn looks after the cool Roxy Music-esque analogue synths. We found their first album charming and simple. But then at the Solidays festival last summer we saw them live for the first time - they were sexy and sensational.

Their second album is due out at the end of March. It's called 'Time For The Devil' and is preceded by a single of the same name.

Well, it's clear that your correspondent is not the only fan of John & Jehn - their new label Naive has clearly been spending money on them. Compared to the home-made feel of their debut, 'Time For The Devil' (the song) has top-of-the-range studio production values.

However, the song is rather slight - all atmosphere, little in the way of a memorable tune. Only Jehn's Siouxsie-esque chorus vocal hook lifts this track out of the relegation places and into mid-table safety. (For his part, John sounds like Ian McCulloch and the track has that rich and doom-laden Echo and the Bunnymen vibe.)

'Time For The Devil' (the album) will be launched with a special show at La Maroquinerie in Paris on 29 March - your correspondent hopes to be there. As we said above, this pair are great live so we'll have a better impression of their new material then.

You can get a taster of John & Jehn's new album by watching this trailer for it. As for the single, here's the video for 'Time For The Devil':

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