CLUAS Rating: 3 out of 10
Spidey finds his inner dark side: cue rather predictable 'alt'-'rock' mixum-gatherum. Of the new songs, only Yeah Yeah Yeahs sound vaguely motivated. Snow Patrol parody themselves; The Killers photocopy U2. Apart from YYYs and 'The Twist', not worth the listen.
Plot summary of 'Spiderman 3' (as deduced from the soundtrack):
He can save the world (U2-soundalikes The Killers) but Spiderman just can't tell his feisty girl (Yeah Yeah Yeahs, the only interesting new track here) his real feelings (Snow Patrol, sounding like a 'Gift Grub' version of themselves). Instead, he spends his evenings spurting out icky white gunk (Jet, The Walkmen).
Suddenly he's faced with a mutant villain who irritates innocent victims to death with his nuclear-powered smug wackiness (Flaming Lips, irritatingly 'wacky' as ever). There's a surprise plot development ('The Twist' by Chubby Checker, sounding as fresh as tomorrow's bread), a tearful hospital bed death (Snow Patrol; see above) before Spidey finally prevails and saves the world to the sound of cheering from citizens/random nobodies (Simon Dawes, Rogue Wave, The Wyo's, and lots more)
Meanwhile, the real heroes (Jason Falkner plays keyboards on two tracks here)go about their daily grind with no fanfare...
1999 - 'The eMusic Market', written by Gordon McConnell it focuses on how the internet could change the music industry. Boy was he on the money, years before any of us had heard of an iPod or of Napster.