The CLUAS Archive: 1998 - 2011

29

Nasal mucus - British and Irish people know it as 'snot', while our north American friends speak of 'boogers'. Note how the European term is a collective noun while the US/Canadian word is countable; this suggests that-

CLUAS gaffer: What are you on about, you eejit?

Your correspondent: Why, it's the intro for a post about a French singer and his cracking new tune. Our readers will want to know the cultural and linguistic backgrou-

CLUAS gaffer: Just post the bloody tune, alright? And keep it respectable - I'm staying at Silvio Berlusconi's villa this weekend and I don't need you embarrassing the site!

Boogers

Right. Umm... Stéphane Charasse is from Tours in the picturesque Loire region of central France. A former DJ on local indie radio station Radio Béton ('béton' is the French word for 'concrete'), Charasse makes idiosyncratic indie music under the nom de pop of Boogers. His second album, 'As Clean As Possible', is out now.

The lead-off track from 'As Clean As Possible' is a real charmer. It's called 'I Lost My Lungs'. The happy-go-lucky vocalising at the start might remind you of 'Widths and Heights' by Manchester electro-folkie Magic Arm. Charasse's monotonous spoken-word verses - so typical of French male singer-songers - are outweighed by the snappy, melodic arrangement around him. In particular, the guitar parts - funky clipped chords in the verses and a fizzy rising scale in the middle section - are positively joyous.

Charasse has found a novel way to promote his new album - concerts on the train. Boogers will perform on the TGV from Paris to Nîmes on the afternoon of 27 May and on the Paris-Lyon service on 2 June. Both appearances will be followed by a showcase at the local FNAC record store, depending on the timely arrival of his train.

You can find more info and tracks on Boogers' MySpace page. Here's the video for 'I Lost My Lungs', set on a train station platform:


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Nuggets from our archive

2000 - 'Rock Criticism: Getting it Right', written by Mark Godfrey. A thought provoking reflection on the art of rock criticism.