I understand why Filipino musicians are so in demand as minstrels for hire in hotels and bars around China. International hotels like them because Chinese audiences and western musicians don’t always gel well: Chinese performers, I've seen are usually shy in front of expatriate audiences, who in turn often don’t know if they're supposed to boo a bad performance and usually can't communicate with performers they like.
Those thoughts were confirmed for me during a chat with Alvaro Rottenberg, general manager of the Kempinski in Shenyang, an auto-making city in China’s north. Rottenberg hires a Filipino band to entertain a mostly Chinese clientele at the hotel Paulaner-themed bar. Another Filipino band plays five sets a night in an Irish-themed bar at the Holiday Inn down the road in this BMW-making town, which freezes to -25C on December nights.
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2003 - Witnness 2003, a comprehensive review by Brian Kelly of the 2 days of what transpired to be the last ever Witnness festival (in 2004 it was rebranded as Oxegen when Heineken stepped into the sponsor shoes).