Entries for 'Christine Cooke'
Originally published by Christine Cooke on October 29, 2008
Noah and the Whale (live in Whelan's, Dublin)
Review Snapshot: An enjoyable night of folk-pop, that included the song we all came for: “Five Years Time”.
The Cluas Verdict? 8 out of 10
Full Review: It was a large and excitable crowed packed into Whelan’s to see Charlie Fink and his troop of pop-folk instrumentalists. The age-range went from just old enough to be there, all the way up to – as I could see it - fifty. Noah and the Whale clearly have a wide following, owing much of it to the extensive radio- and music channel play of their first single “Five Years Time” and also, the Laura Marling connection. No longer playing with the band, female vocal duty has been taken over by a red haired girl, whose name I did not catch. Also present on stage, a small brass section, violin and some keyboards.
After building some suspense, and showing a strange short film, they took the stage. Although well-translated to live as a whole, the st... [Read on]
Originally published by Christine Cooke on September 08, 2008
Cois Fharraige, Day 3 (Kilkee, Co. Clare)
Review Snapshot: The third and final day remained without highlight until Travis gave us what we wanted to hear - the hits!
The Cluas Verdict? 5 out of 10
Full Review: After a promising opening night, and a slightly less solid second, I feared the final night would continue the downward trend. This was not helped by the admittedly poor line-up. But, it was the unlikely Scots, Travis, who saved the night from mediocrity.
Oscar and Simon from the dad-friendly Ocean Colour Scene performed their acoustic-driven set to an early crowd. Like a hotel-lobby band, they pleased the punters with their familiar sing-a-long anthems. Oscar and Simon, however, seemed surprised to be playing to such a small crowd, but I was surprised there was even a crowd at all.
I’ll admit I was highly skeptical of the reggae addition, Natty, to the line-up, not least because of all the typical Bob Marley comparisons. But, after opening... [Read on]
Originally published by Christine Cooke on September 06, 2008
Cois Fharraige, Day 2 (Kilkee, Co. Clare)
Review Snapshot: Improved weather but fewer highlights.
The Cluas Verdict? 6 out of 10
Having waited two hours from the original gate time yesterday before seeing a band, today we decided to soak up the sun and atmosphere prior to the gig. However, on arriving 50 minutes after gates opening, we found that the second act had just begun their set. The inconsistent start times meant we had missed an anticipated gig by UK band 28 Costumes.
So, the first act of our day became The Broken Family Band. Playing to a handful of people in a near-empty marquee, their lively set may have gone down better in front of a larger audience later in the night. They managed to win over the minor crowd, not with their music, but with chocolates they cast from the stage, claiming they belonged to Travis.
The trad-jam session that was Kila drew the crowds in from the sunshine and treated them to a string of indistinguishable songs.... [Read on]
Originally published by Christine Cooke on September 05, 2008
Artist (live in Venue Name, City)
Review Snapshot: An excellent start to the Kilkee festival, with an outstanding performance by the Futureheads.
The Cluas Verdict? 7 out of 10
“Who gives a f**k about the rain? It's a deadly festival!” So remarked Danny O'Reilly, lead singer of The Coronas on this, the first (and hopefully wettest) day of the Cois Fharraige music festival in Kilkee.
First up were Galway band The Kanyu Tree, performing their first live show as a four-piece. Their unoffensive pop rock was well-received by the gathering crowds, but their music and manner fails to establish them as anything more than a support band.
Next up were The Coronas, hailing from Dublin, but equally at home on the soundtrack of an American teen drama series. Their sound was rockier and their presence more charming than The Kanyu Tree, and it's not surprising that they've built up such a loyal fanbase in Ireland. Radio-friendly so... [Read on]
Originally published by Christine Cooke on May 01, 2008
A review of Yael Naim's self-titled album
Review Snapshot: This self-titled second album from French-Israeli Yael Naim, shows off an excellent voice and some excellent compositional flare, though with much of the same from start to finish. The tracks go from folk to pop and back again, remaining rooted in acoustic guitar and piano. With some snapshots of something special dotted throughout, don’t be surprised if it ends up putting you to sleep...
The Cluas Verdict? 6 out of 10
Describing Yael Naim and knowing very little about her, you could be forgiven for calling her a French Feist. Both have got the husky-dreamy female vocalist bit down, both have sold their songs for use in ads, and sometimes, they both sing in French.
This is the second album from Yael, a French-Israeli singer-song-writer, released on the French independent label, Tôt ou Tard. It includes her most famous song - "New Soul", which was featured a while ba... [Read on]
Originally published by Christine Cooke on January 23, 2008
A review of the album 'No Shouts, No Calls' by Electrelane
Review Snapshot: The final offering from the superb quartet, departing to focus on their private lives while leaving us begging for more. Who said life was fair? Better put this one on repeat and start praying their "hiatus" is just a phase...
The Cluas Verdict? 9 out of 10
Within a week of what I will admit was constant rotation, I knew this album going to be a favourite of mine. It has the components I’m completely biased towards – an all-girl band, organ, pretty songs – precisely my bag. But that was only the beginning. Repeatedly pinned down by comparisons to the Organ, Sleater-Kinney, and a host of other female groups, Electrelane don’t have a definitive list of influences, and more to the point, a list of comparable bands. I’m a fan of good song writing, be it simple or otherwise, but it is the former that always leaves the more lasting impres... [Read on]