David Lyttle is, at 23, already a force to be reckoned with in New Irish Jazz. The list of musicians that this gifted pecussionist , composer and band leader has played with reads like a whos who of the music; Louis Stewart, Michael Buckley, Ronan Guilfoyle and Myles Drennan. Lyttle was accompanied for this live date by the wonderful bassist Michael Janisch and Soweto Kinch who is the recipient of two MOBOs, three BBC jazz awards and a Mercury nomination.

I remember once listening to an interview with the late Benny Green who was asked to define jazz in one word. His answer escapes me now but if I was to be asked the same question, my answer would be, 'feeling'. All of the jazz artists I love and admire, such as Charlie Mingus, Miles Davis, Ella Fitzgerald, John Coltrane, Louis Stewart, Brad Meldhu and Chet Baker play with a tremendous depth of feeling and, last Sunday, Lyttle and his group played with that same feeling, notably on Lyttle's composition in memory of his late father titled simply, 'Father'.

It is tempting to write about these three musicians separately but that would imply that they did not gel as a group when, in fact, they appeared at all times both as one and distinct, three in one and one in three, to paraphrase George Bernard Shaw. The setting also played a role in the evening. JJ Smyths is to Dublin what Ronnie Scotts is to London and the Village Vangard is to New York and, as noted by Soweto Kinch during the second set, it has a wonderful, warm acoustic that suited the fluid, masterly, mellow, hot, spiritual playing of Lyttle and his cohorts.

The group displayed a wry sense of humour, particularly when they did an freestyle on the name Dublin, asking the audience for words which began with the letters contained therein to which the audience responded; Drew (after the late Ronnie Drew), Urban, Bollocks, Lovely, Inspector (?) and Naughty, following it up with a lovely version of John Coltrane's 'Giant Steps', played with a magician's flourish before departing the stage.

I spent a Sunday evening in the company of David Lyttle and his group due to a spur of the moment decision and ended up lost in music.

Photo Credit: David Lyttle © John Soffe.

David Lyttle - Official Website

David Lyttle @ MySpace.com

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Surfer Phil Edwards once famously termed all those who did not surf as, "the legions of the unjazzed". More recently Alex Wade, in his book 'Surf Nation', spent a chapter contemplating the possible links between the jazz music and surfing, specifically long boarding. They are views that Sound Waves empathises with, having been a lifelong, if not especially committed or knowledgeable, fan of jazz.

Notwithstanding that, advances in music playback technology have resulted in yours truly not having a stereo at home for something in the order of 5 years. I resisted the lure of i-Pod. I clung dearly to my CD buying habits, using my laptop to create mix CDs from my collection to play in the car. The car therefore became my listening room but set its own boundaries. Fast driving rock and roll by the likes of Teddy Thompson found favour but the complex patterns of Steve Reich proved overpowering and claustrophobic. My first MP3 player was a free gift thanks to a judiciously placed order for office products, it held about 40 songs, but due to my dislike of listening to music on headphones, and the constant roar of ambient noise of modern urban life it was rarely played. Moreover, the acts that were being promoted seemed little more than expensively produced tribute bands. Their music sounded familiar, like a movie actor you swear you have seen in a previous film but just cannot place. In a nutshell, I had become utterly sick of listening to music. In all this time, my modest collection of jazz albums by a shortlist of greats such as Ella Fitzgerald, Miles Davis, John Coltrane, Brad Meldhu, Cannonball Adderly and Charlie Mingus lay in a box under the bed, still much loved but absolutely unplayed.

About six months ago, after much soul searching, I finally plumped down the cash to buy an 80G i-Pod classic. I wish I could say that I had some damascene conversion but I didn’t. To be honest, it’s just a well designed, if overpriced gadget and it has mostly spent its time sitting unused on my desk at home.

So what has changed? Well, earlier this week I headed into TX Maxx to buy some socks and there on offer was a set of speakers for MP3 players that contain lights that change in time to the music they are playing. The tag said € 25.00 and considering that any shop that sells I-pod compatible speakers tends to stock equipment with prices north of € 200.00, I figured I couldn’t lose. What I didn’t expect when I got them home was the high sound quality that could emit from a pair of speakers that, basically, double as Christmas lights. And so, I spent my first night with these speakers, first downloading my jazz collection onto my i-Pod via my laptop and then listening to the magical sounds of an elite group of artists drifting gently through the air of my living room, as my speakers pulsed in time with a soft blue light. Kind of blue? Not anymore.

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Beau Young's Official Website

Nava Young's MySpace Page

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Read the Cluas Review of 'Fleet Foxes'

White Winter Hymnal (MP3)

Fleet Foxes Official Website

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Episode 5 - One Thing To Do Before You Die - Streaming Video

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Peter Delaney @ MySpace.com

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1) '99 Problems' by Jay-Z

2) 'Viva La Vida' by Coldplay

3) 'Why Must I Apologise' by Colm Lynch

4) 'Kids' by MGMT

5) 'River Song' by Dennis Wilson

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When: 19th - 21st September 2008

Where: Bundoran, Co. Donegal

What: Sea Sessions Surf & Music Festival

Who: Aisan Dub Foundation, David Kitt, Belle & Sebastian, Republic of Loose etc

How much: €55.00

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