This review was first 
published on CLUAS in 2004
Other albums reviewed in 2004
Interpol
A review of their album 'Antics'
Review 
Snapshot:
Second album from New York doom merchants following up their 
critically acclaimed debut "Turn on the bright lights".
The CLUAS Verdict? 6 out of 10.
Full review: 
It's kinda funny that Interpol are being touted as the next big goth 
'stars'; depression, murder, inferences of suicide and pain, they have always 
had a depth of feeling in their music which doesn't allow them to be pigeonholed 
as easily.
Their first album "Turn on the Bright Lights" was a bolt of desperation from the 
New York scene, at the time an associate of records from 
The Strokes, Hot Hot Heat and The Rapture. 
Initially not as acclaimed as these other records, it soon became clear that 
Interpol could attract fans while their music seemed designed to push people 
away, and 'Bright Lights' became a cult hit on both sides of the Atlantic.
So now we have a new album, and with it the fear that their follow up could be a 
disappointment. On first rotation the same doomy vocals and interesting rhythmic 
changes are evident, the same strong bass sounds hold everything together, and 
the scattershot drumming pops in and out of each song as before. Even the cover 
seems similar, the notes are sparing and short and Morse code spells out song 
titles (Length - narc -cruise - exit, in order).
Aside from a few poppier exceptions, it seems business as usual. As the listener 
gets used to the album the little pieces get clearer, the music becomes more 
emotive and some tracks, 'evil' and 'slow hands' especially are almost 
sing-a-long. The first track 'Next Exit' seems to give and indication of their 
ambition - "we're not going to the town / we're going to the city" - over 
a lush organ sound and Paul Banks' prominent vocals. Indeed Banks' vocals are 
much more soaring and sweet on this album; on 'narc' his vocals almost seem to 
be comfortable at the front rather than lower in the mix as on their debut. The 
quality of the last few tracks on the album seems to dip slightly, and while 
poppier, 'Evil, 'Length of Love' and 'Slow Hands' form a backbone that 
everything else seems to sit on.
So while Antics isn't a major leap forward, it is another excellent album of 
quiet desperation, and gives hope that this is just one of many great Interpol 
albums.
Kierry
 Check 
out an alternate review of Interpol's album 'Antics'.
