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This review was first
published on CLUAS in 2000 Coldplay'Parachutes'Just as it seemed that the doom-mongers had won with their perennial "Do we really need another guitar group?" question, a band has popped up to slam the dance-beats back in their faces. Coldplay, formed in University College London a little under two years ago, have climbed to the top of the indie ladder with shuddering speed and are now the new Great White Hope (well, until that little-known beat-combo Radiohead release their latest effort later in the year).
That is not to say the album is without fault. The pace can be a bit leaden and there are times when I really wanted the guitar to bite. There is no anger here but perhaps that is a more accurate reflection of life in Britain right now. Oasis grabbed us by the throat back in the 90s with a guitar sound that exploded with aggression and hope, then spectacularly fell from on-high. Coldplay are the antithesis of this - the fall-out from Oasis' plunge. Like the Badly Drawn Boy's album 'The Hour of The Bewilderbeast', Coldplay's 'Parachutes' has been nominated for the Mercury Music Prize award. This competition has a history of debut album winners (Suede, Roni Size, Gomez) but I hope Coldplay don't emerge at the top - surely they have even better to come. Stephen McNulty
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