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This article was first
published on CLUAS in Nov 2005
Beijing Beat: On the 'Zine
China's cottage industry of rock music mags: some fair, others foul...
Mark Godfrey, a CLUAS writer since
2002, is now based in China from where he files the 'Beijing Beat'
column
I've lost count of the number of CDs from the Chinese publication Rock
Music Magazine there are scattered around my desk. They all bear the same distinctive
moniker, and a list of names bizarre and legendary. Most are still in the plastic
wrapping they came in, made brittle by the dried glue with which they were pasted
to the covers of the magazines they came pasted to. Every week, usually on a Thursday
morning, the local newspaper cabin near my Beijing office is visited by a grubby
deliveryman pedaling a heavily loaded tricycle cart. His heaviest bundles are usually
of mass-market glossies like Cosmo and Trends Health, Chinese translations of international
titles. Military News and Reader also come in large quantities.
But,
like a nuisance, once a month the binding is opened on a shallow stack of glossy
Rock Music magazines, 80-page bibles of respect to the godfathers of local and western
rock. On inside pages there's features and photos on the names that appear in the
CD fastened to the cover and a pull-out poster of a big-name rock star. The CD pasted
onto the October issue was embossed with a photo of young American duo the Arcade
Fire, White Stripes wannabes who have been getting positive press from shows on
the European and American festivals circuit this summer. Pure indie, but the rest
of the bands featured on the CD appear in a jumbled, gender bending order that sees
rapper The Notorious BIG sandwiched between Sniead (sic) O'Connor and Kahimi Karie.
“Your local authority on Mainland music”
Rock Music is top of the pile but the quality of China's other rock magazines
varies between half-hearted and hideous. What the record companies can't supply
in photos is made up for by photo-illiterate writers' efforts with digital cameras
pocketed into concerts and interviews. Desperate before deadline, others turn to
the low-resolution shots on record companies' websites or head to the handiest scanner
when caught in a really tight spot.
One of the best of the rest, Koudai Yinyue or Pocket Music magazine champions a
stable of local indie acts with a reputation for adventurism. Sitting on the shelf
too, but much harder to find, Modern Sky boasts it's “the only sound magazine
in China that keeps synchronization with the international music trends.” A
print run of 30,000 per issue with a CD retails at RMB20 (approx 2 Euros) per issue.
"We want this music to be available to ordinary people, so the price has to stay
as low as possible," says editor Tao Ran. The magazine has been building a distribution
network but getting good writers has proven difficult, says Tao, who gathers the
latest information on rock news and album releases from home and abroad as well
as commissioning features and criticism written and edited solely by in-house writers.
Most Chinese magazines rely heavily on translations and reprints from foreign magazines
but Modern Sky draws only its foreign rock music articles from outside: they're
provided by the Hong Kong-based rock magazine Yinyue Zhimindi (Music Colony). “Few
people in China who can write knowledgeably about rock music,” complains Tao.
“We want our content to be specialized, but popular. I really want a fresh style.”
His magazine's mission statement, plastered on an inner page of each issue, is ambitious:
“Displaying a distinctive insight into the currents and future of Chinese new
music, Modern Sky has become the beacon of fashionable music culture for the teenagers
of modern China.”
I know, it's only rock n' roll, but a license…
The idea of sticking a free CD to rock magazines has become a marketing tool
in Europe and America as titles battle for readers. But in China the practise was
born more out of necessity. Modern Sky is produced with a music publishing rather
than a print publishing license. This excused the company from the excruciating
and often futile process of getting a publication license from the State Press and
Publishing Administration.
A magazine called Music Heaven run out of Guangzhou first hit on the idea when it
began releasing a bimonthly magazine/cassette with foreign pop songs in 1993. But
Modern Sky's compilation records were the first opportunity for Mainland Chinese
rock fans to buy regular doses of new music. Moreover, the monthly compilations
bring raw garage bands from the provinces to readers' attention along with tunes
by regulars from the circuit in Beijing – China's rock capital – like Convenience
Store and Brain Failure.
Soapbox for tomorrow's stars
Local rock magazines' neat way of getting around licensing laws provides the
best open platform for China's underground and established rock music. Monthly CDs
are a handy soapbox for Convenience Store, Rebuilding the Rights of Statues, and
Milk and Coffee, all indie acts on the eponymous label run by Modern Sky. Jointly
funded by Modern Sky and Modern Art magazine, the publication's sister title Listen-Art
hit the streets in the middle of June, 2001. Aside from the regulatory free CD,
the bimonthly magazine introduces new music with in-depth reviews and hipper-than-thou
opinion pieces. Rock Music Magazine has plenty of competition then but I'm not giving
up on my monthly dose of Chinese rock n roll. I've enough CDs for a collection.
Mark
Godfrey
Previous 'Beijing Beat' columns...
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Beijing’s most avant-garde rock club,
D-22.... |
Dateline: February 2007 |
|
“We’re
complete whores, anything that brings money or attention to our artists we’ll
do,” says Michael Petis, co-proprietor of Beijing’s most avant-garde rock club,
D-22. Opened by childhood friends disillusioned with lives on Wall Street, the
D-22’s opening date - May 1st 2006 - was certainly auspicious for what its
owners describe as “one of the only Communist organization in China!” Pettis, a
tanned, middle-aged American, spent 15 years on Wall Street before relocating to
Beijing to teach finance at Peking University. At night he rocks out with
financial technology consultant Charles Saliba at nearby D-22, chatting and
swapping CDs with Chinese punks. Read the
full article... |
|
The brains behind China's only international
rock festival... |
Dateline: October 2006 |
|
“We
had a thousand security officers last year and 600 this year.” That’s progress
for Jason Magnus. It’s also a sign of how far government relations can take a
rock promoter who has managed to bring some of the biggest names in popular
music to a park in the most rarefied district of the Chinese capital for the
Beijing Pop Festival. Hiring a large chunk of Chaoyang Park was costly and
difficult but Magnus is doing something right. “Last year we had one stage. This
year we have three.” Read the
full article... |
|
Banjo Breakthrough: Abigail Washburn's Banjo
strikes a local chord |
Dateline: June 2006 |
|
Listening
to old timers warbling withering librettos in tumble-down Peking opera
houses seems like an illogical start to an American recording career.
But acclaimed American banjo player and singer-songwriter, Abigail
Washburn, from the state of Illinois, spoke Chinese before she learned
to play the banjo. And when the star returns to her old haunts in the
autumn it will be with a new album of Chinese and English songs under
her belt. She’ll also be scaling new heights, literally.
Read the full article... |
|
The rise of the music festival in Asia... |
Dateline: April 2006 |
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Poodle
perms just don't suit Asian hair. But don't tell that to Thai rock god
Pod. His band Modern Dog made history by being first onto the main stage
for the first rock festival in south east Asia, the Bangkok 100 Rock
Festival. That feat has made him an unlikely hero in Thailand's recent
push to become a destination for music tourists.
Read the full article... |
|
Promoting gigs in China is no cake walk... |
Dateline: March 2006 |
|
If you want to play to China's masses what kind of music should you
play? "Pop music is pop music for a reason. It appeals to the most
people." As a musician Jon Campbell has drummed and sung in bars, malls
and corporate parties across China. From beach parties in sunny Sanya to
real estate launches in dusty Henan and club gigs in Beijing the bearded
Canadian learned there is no one type of music that fits the Chinese
audience.
Read the full article... |
|
Giving Beijing bands a
much needed live platform... |
Dateline: January 2006 |
|
He doesn't do it to make money. Lu Ying has to sell a lot of beer to make the
15,000 Yuan monthly rent on the latest 'What?' bar and rock club he opened in
late 2005 in Beijing. But the painter-turned-rocker ought to know what he's
doing. Lu, a 30-year-old artist from Hebei, the province which encircles
Beijing, opened one of the Chinese capital's first rock bars in the mid 1990s.
His new bar breaks tradition with his earlier
establishments: whereas before Lu opened clubs in old buildings the new 'What?' is a spacious, well-equipped
purpose built venue.
Read the full article... |
|
Hang On The Box, one of China's best girl
punk bands... |
Dateline: December 2005 |
|
The contender swaggering down the lane drops his swagger to crouch in the
reflection offered by a restaurant window. He's either a stylist or he's trying
to look like Julian Casablancas. Hair fixed into the fastidiously-messy mop
perfected by the Strokes frontman, he resumes his swagger, into the 13 Club,
where about 200 people are swaying and shouting through a set by Caffee-In, a
Sino-Japanese outfit specializing in jump-along funk. Melody: they have it in
buckets. The guitarist is Chinese, the other have been a year together making
music in Beijing.
Read the full article... |
|
Ian Brown at the Beijing Pop Festival... |
Dateline: November 2005 |
|
Jaws dropped when the bill was announced mid-August. How did the organisers of the
suddenly-sprung Beijing Pop Festival land one of Britain's biggest rock names for
a festival in its first edition? Even more surprising, Brown would be coming to
China barely a week after he'd released his latest album, Greatest, a time usually
taken with press interviews.
Read the full article... |
|
China's cottage industry of rock music magazines... |
Dateline: November 2005 |
|
I've lost count of the number of CDs from the Chinese publication Rock Music
Magazine there are scattered around my desk. They all bear the same distinctive
moniker, and a list of names bizarre and legendary. Most are still in the
plastic wrapping they came in, made brittle by the dried glue with which they
were pasted to the covers of the magazines they came pasted to. Every week,
usually on a Thursday morning, the local newspaper cabin near my Beijing office
is visited by a grubby deliveryman pedaling a heavily loaded tricycle cart.
Read the full article... |
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