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This article was first published on CLUAS in Nov 2005

Beijing Beat: On the 'Zine

China's cottage industry of rock music mags: some fair, others foul...

Mark Godfrey, a CLUAS writer since 2002, is now based in China from where he files the 'Beijing Beat' column
I've lost count of the number of CDs  from the Chinese publication Rock Music Magazine there are scattered around my desk. They all bear the same distinctive moniker, and a list of names bizarre and legendary. Most are still in the plastic wrapping they came in, made brittle by the dried glue with which they were pasted to the covers of the magazines they came pasted to. Every week, usually on a Thursday morning, the local newspaper cabin near my Beijing office is visited by a grubby deliveryman pedaling a heavily loaded tricycle cart. His heaviest bundles are usually of mass-market glossies like Cosmo and Trends Health, Chinese translations of international titles. Military News and Reader also come in large quantities.

Beijing KioskBut, like a nuisance, once a month the binding is opened on a shallow stack of glossy Rock Music magazines, 80-page bibles of respect to the godfathers of local and western rock. On inside pages there's features and photos on the names that appear in the CD fastened to the cover and a pull-out poster of a big-name rock star. The CD pasted onto the October issue was embossed with a photo of young American duo the Arcade Fire, White Stripes wannabes who have been getting positive press from shows on the European and American festivals circuit this summer. Pure indie, but the rest of the bands featured on the CD appear in a jumbled, gender bending order that sees rapper The Notorious BIG sandwiched between Sniead (sic) O'Connor and Kahimi Karie.

“Your local authority on Mainland music”

Rock Music is top of the pile but the quality of China's other rock magazines varies between half-hearted and hideous. What the record companies can't supply in photos is made up for by photo-illiterate writers' efforts with digital cameras pocketed into concerts and interviews. Desperate before deadline, others turn to the low-resolution shots on record companies' websites or head to the handiest scanner when caught in a really tight spot.

One of the best of the rest, Koudai Yinyue or Pocket Music magazine champions a stable of local indie acts with a reputation for adventurism. Sitting on the shelf too, but much harder to find, Modern Sky boasts it's “the only sound magazine in China that keeps synchronization with the international music trends.” A print run of 30,000 per issue with a CD retails at RMB20 (approx 2 Euros) per issue. "We want this music to be available to ordinary people, so the price has to stay as low as possible," says editor Tao Ran. The magazine has been building a distribution network but getting good writers has proven difficult, says Tao, who gathers the latest information on rock news and album releases from home and abroad as well as commissioning features and criticism written and edited solely by in-house writers.

Most Chinese magazines rely heavily on translations and reprints from foreign magazines but Modern Sky draws only its foreign rock music articles from outside: they're provided by the Hong Kong-based rock magazine Yinyue Zhimindi (Music Colony). “Few people in China who can write knowledgeably about rock music,” complains Tao. “We want our content to be specialized, but popular. I really want a fresh style.” His magazine's mission statement, plastered on an inner page of each issue, is ambitious: “Displaying a distinctive insight into the currents and future of Chinese new music, Modern Sky has become the beacon of fashionable music culture for the teenagers of modern China.

I know, it's only rock n' roll, but a license…

The idea of sticking a free CD to rock magazines has become a marketing tool in Europe and America as titles battle for readers. But in China the practise was born more out of necessity. Modern Sky is produced with a music publishing rather than a print publishing license. This excused the company from the excruciating and often futile process of getting a publication license from the State Press and Publishing Administration.

A magazine called Music Heaven run out of Guangzhou first hit on the idea when it began releasing a bimonthly magazine/cassette with foreign pop songs in 1993. But Modern Sky's compilation records were the first opportunity for Mainland Chinese rock fans to buy regular doses of new music. Moreover, the monthly compilations bring raw garage bands from the provinces to readers' attention along with tunes by regulars from the circuit in Beijing – China's rock capital – like Convenience Store and Brain Failure.

Soapbox for tomorrow's stars

Local rock magazines' neat way of getting around licensing laws provides the best open platform for China's underground and established rock music. Monthly CDs are a handy soapbox for Convenience Store, Rebuilding the Rights of Statues, and Milk and Coffee, all indie acts on the eponymous label run by Modern Sky. Jointly funded by Modern Sky and Modern Art magazine, the publication's sister title Listen-Art hit the streets in the middle of June, 2001. Aside from the regulatory free CD, the bimonthly magazine introduces new music with in-depth reviews and hipper-than-thou opinion pieces. Rock Music Magazine has plenty of competition then but I'm not giving up on my monthly dose of Chinese rock n roll. I've enough CDs for a collection.

Mark Godfrey

Previous 'Beijing Beat' columns...

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Dateline: February 2007

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The brains behind China's only international rock festival...

Dateline: October 2006

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Banjo Breakthrough: Abigail Washburn's Banjo strikes a local chord

Dateline: June 2006

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The rise of the music festival in Asia...

Dateline: April 2006

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Promoting gigs in China is no cake walk...

Dateline: March 2006

If you want to play to China's masses what kind of music should you play? "Pop music is pop music for a reason. It appeals to the most people." As a musician Jon Campbell has drummed and sung in bars, malls and corporate parties across China. From beach parties in sunny Sanya to real estate launches in dusty Henan and club gigs in Beijing the bearded Canadian learned there is no one type of music that fits the Chinese audience. Read the full article...

Giving Beijing bands a much needed live platform...

Dateline: January 2006

Lu YingHe doesn't do it to make money. Lu Ying has to sell a lot of beer to make the 15,000 Yuan monthly rent on the latest 'What?' bar and rock club he opened in late 2005 in Beijing. But the painter-turned-rocker ought to know what he's doing. Lu, a 30-year-old artist from Hebei, the province which encircles Beijing, opened one of the Chinese capital's first rock bars in the mid 1990s. His new bar breaks tradition with his earlier establishments: whereas before Lu opened clubs in old buildings the new 'What?' is a spacious, well-equipped purpose built venue.  Read the full article...

Hang On The Box, one of China's best girl punk bands...

Dateline: December 2005

Hang On The BoxThe contender swaggering down the lane drops his swagger to crouch in the reflection offered by a restaurant window. He's either a stylist or he's trying to look like Julian Casablancas. Hair fixed into the fastidiously-messy mop perfected by the Strokes frontman, he resumes his swagger, into the 13 Club, where about 200 people are swaying and shouting through a set by Caffee-In, a Sino-Japanese outfit specializing in jump-along funk. Melody: they have it in buckets. The guitarist is Chinese, the other have been a year together making music in Beijing. Read the full article...

Ian Brown at the Beijing Pop Festival...

Dateline: November 2005

Ian Brown in ChinaJaws dropped when the bill was announced mid-August. How did the organisers of the suddenly-sprung Beijing Pop Festival land one of Britain's biggest rock names for a festival in its first edition? Even more surprising, Brown would be coming to China barely a week after he'd released his latest album, Greatest, a time usually taken with press interviews. Read the full article...

China's cottage industry of rock music magazines...

Dateline: November 2005

Chinese Rock MagazinesI've lost count of the number of CDs from the Chinese publication Rock Music Magazine there are scattered around my desk. They all bear the same distinctive moniker, and a list of names bizarre and legendary. Most are still in the plastic wrapping they came in, made brittle by the dried glue with which they were pasted to the covers of the magazines they came pasted to. Every week, usually on a Thursday morning, the local newspaper cabin near my Beijing office is visited by a grubby deliveryman pedaling a heavily loaded tricycle cart. Read the full article...

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