Exploding on to the Irish music scene in 2007 with the infectious Love Like Nicotine, Dark Room Notes have become famous for their energetic live shows.  Here, Steve O'Rourke sits down w...

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Some of you may know Matt Elliott more by his pseudonym, The Third Eye Foundation, than the one that appears on his passport.  It was under this moniker that the Bristol native became a pioneer of the 'drill 'n' bass' approach to electronica.  It was this bleak and brutal approach to electronica, combined with Elliott's ability to transcend genres that won him many admirers in the world of music, resulting in Elliott producing remixes for the likes of Mogwai and Thurston Moore amongst others.

Now living in France, Elliott specialises in releasing albums variously described as folk and vaudeville.  The most recent release, 2008's Howling Songs, drew comparisons with no less than Tom Waits, Nick Cave and Leonard Cohen.  Now, in association with Forever Presents, Key Notes is offering two people the chance to win double passes to see Elliott in action, Upstairs in Whelan's on Thursday, April 9.

To be in with a chance of winning, just send an email with Matt Elliott Competition in the subject bar to keynotes[at]cluas[dot]com.  The competition will close at midnight on Monday April 6.  Winners will be chosen at random and, as always, Key Notes' decision is final.

Matt Elliott: The Kursk

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Having just signed a deal with Mute Records (Depeche Mode, Goldfrapp), Brooklyn band A Place to Bury Strangers are bringing their wall of sound to Whelan's on March 31. 

Best described as ear-bleedingly loud and beautifully bleak, A Place To Bury Strangers have been called 'the loudest band in New York.'  Quite a compliment and Key Notes is giving you a chance to find out for yourself. 

Thanks to Forever Presents, Key Notes has two double passes to give away.  To win this prize, all you have to do is email keynotes[at]cluas[dot]com with A Place To Bury Strangers in the subject line.  Two winners will then be chosen at random.  As usual with these competitions, Key Notes' decision is final.  All entries must be received by Midnight on Sunday, March 29.

A Place To Bury Strangers:  To Fix The Gash In Your Head

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A review of the album We Love You Dark Matter by Dark Room Notes Review Snapshot: An album that proves there's more to electro-indie than silly stage antics and dodgy dress sense, We...

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It's a journey that Key Notes doesn't make to often these days and that, as you'll come to hear, is part of the problem.  It used to be that Key Notes would instinctively make his way to Road Records every time he went into town.  These days, when Key Notes gets so many CD's for free (to review etc) it's a trip he takes less than 10 times a year. 

Road Records was never like Championship Vinyl in Nick Hornby's High Fidelity.  It was always welcoming, even for music nerds like this blog who once asked Julie (who, along with Dave Kennedy, has owned and operated Road for the past 11 years) if she would be able to provide him with 10 albums by bands from Westmeath.  Put it this way, if Key Notes was working in a record shop and somebody asked him that he wouldn't have been as helpful and friendly as Julie was on that occasion.  The point that Key Notes is trying to make is that it is Julie and Dave's love for what they do that has led to Road becoming one of the most iconic names in Irish indie music and it is this iconic status that led to the great shock many Irish indie music fans felt when news broke in January of this year that Road may soon have to close its doors.

In the first part of the following interview, Key Notes talks to Dave about the reasons behind Roads potential closure, many of which show that age and demographics are playing a critical part in Irish indie music.  In the second part, we examine the future of not just Road, but all Irish indie records stores and talk about the efforts being made to save Road Records including One for the Road, a benefit gig featuring Choice winner Jape as well as The Jimmy Cake, Si Schroeder, Colm Mac Con Iomaire, Adrian Crowley, The Large Corporation (a.k.a. The Dudley Corporation vs. Large Mound) and the Road DJs.  Tickets for this gig, taking place in Andrew's Lane Theatre on March 14, are priced at 20 europes and are available from Road and WAV Ticket Office.

Interview Part 1 - Reasons for Road's Potential Closure (MP3, 9 MB)

Interview Part 2 - Future of Road & Irish Indie Record Stores (MP3, 9 MB)

 

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Key Notes is starting to enjoy The Recession.  He knows that may sound strange, particularly to Mrs. Key Notes, but if he had a full time job right now he wouldn't be able to attend press launches in the middle of the day featuring the good, the bad and the 'who are they?' of the Irish indie music scene, would he?

This blog and OXEGEN have history of course, Key Notes was the first writer to review OXEGEN 2008 and his (pardon him as he lets his ego run wild) world exclusive reviews drew a great deal of traffic (not to mention complaints from people who don't understand how music reviewing works!) to CLUAS.com.  This year though, he wasn't sure if OXEGEN would be worth attending; sure there were certain bands like Blur, Nick Cave, The Mars Volta and Manic Street Preachers that caught his eye but others like Kings of Leon and Snow Patrol produced a reaction that could best be described as 'meh'. 

Today though, all that changed with the announcment of bands such as Eagles of Death Metal, God is an Astronaut (Key Notes knows one particular CLUAS writer who will be very happy with that), Pet Shop Boys, Doves, Nine Inch Nails, and Jane's Addiction.

The line ups announced so far for each day are:

Friday, July 10: 
Blur, Snow Patrol, The Script, Keane, Lily Allen, James, Pendulum, Ladyhawke, Fight Like Apes, Swedish House Mafia, Crookers, Eagles of Death Metal, Dreadzone, God is an Astronaut, Tom Middleton, Aeroplane.

Saturday, July 11: 
Kings of Leon, Bloc Party, Elbow, Nick Cave & The Bad Seeds, Yeah Yeah Yeahs, TV on the Radio, Pete Doherty, The Mars Volta, The Game, Squeeze, Hockey, Tiga, Digitalism, Pet Shop Boys, Doves, The Saturdays, Gary Go.

Sunday, July 12: 
The Killers, Razorlight, The Specials, Lady Gaga, The Ting Tings, Katy Perry, Manic Street Preachers, Paolo Nutini, Florence and the Machine White Lies, Jason Mraz, Foals, Friendly Fires, of Montreal, Miss Kittin and The Hacker, Nine Inch Nails, Jane’s Addiction, Glasvegas, Hudson Mohawke

Tickets for this years OXEGEN go on sale at 8am on Friday, March 6 and are on sale at the same price (224 europes inc. booking fee for a 3 day camping pass) as last year.  This is something Justin Green of MCD was particularly proud of, as he spoke briefly at the launch, saying that MCD realised the situation most people were in and were doing their small part to help.  In addition, those people who purchased early bird tickets are to be rewarded with 20 europes cash back and MCD have also developed a Ticket Deposit Scheme, details of which can be found on the festival's website.

 Jane's Addiction: Jane Says

Great when you're 8!

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It's happened to the best of us.  You see a friend and you can't wait to tell them about this new band you've just started listening to.  You wax lyrical for what seems like an age only for your friend to shake his/her head and say:  Yeah, they're okay but....I prefer their earlier stuff.  Key Notes has been on both ends of this conversation and while there are times when this particular blogger has said it just to annoy the person on the other end, more often than not it turns out to be true.

Now, before you start, I'm not picking on Kings of Leon because they are an easy target.  There are quite a few Irish bands that will feature in this series.  No, I'm picking on Kings of Leon because they are the most high-profile example of a once exciting band now specialising in generic blandness.  Youth & Young Manhood (and the Holy Roller Novocaine EP upon which it was based) and Aha Shake Heartbreak were, and still are, amongst this blogs favourite ever records.  Their blend of baptist-tinged-garage rock is well showcased on tracks like Molly Chambers, The Bucket and Taper Jean Girl.  It was music that made you sit up and pay attention.  Coupled with the fact that they sported some of the best beards this side of Jesus and Santa Claus, Kings of Leon looked as good as they sounded.

However, as much as Key Notes loved Aha Shake Heartbreak (So much so that this blog also bought a copy for Old Man Key Notes) it contains the song that, in this blogs mind, set Kings of Leon on their path to banality.  Milk is nothing more than an acoustic dirge that would never have been recorded were it not showcasing Caleb Followill's distinctive vocals.  Key Notes is a big fan of these vocals, but there was so much more to Kings of Leon.  Now though, almost everything Kings of Leon produce centres around Caleb's Southern drawl.  Having lots of free time on his hands these days, this blog used some software that it owns to strip all four Kings of Leon albums of their main vocals.  The first two still sounded good but Because of the Times and Only by the Night, without vocals, come across like Liverpool without Gerrard; they just don't offer anything worthwhile.

In promoting Only by the Night the Kings of Leon spoke of being influenced by Crystal Castles, Radiohead and My Morning Jacket but that's not evident when you listen to the record.  Indeed it's difficult to believe that Only by the Night was written with anything other than commercial success in mind.  There's nothing wrong with that and I'm sure the Followill's are very happy with their lot in life.  However, the only way real way to achieve that type of success is by producing bland, inoffensive music.  In that they have succeeded and, if the reception they got at Oxegen last year was anything to go by, the general public wouldn't have it any other way.  Key Notes though, well, he really does prefer their early stuff. 

Speaking of which:

Kings of Leon:  Molly Chambers 

 

Key Notes also preferred when they had beards and would allow you to embed their official videos!

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For those of you who don't know, Barretstown was founded in 1994 by the late, great, Paul Newman.  It was to be the first of his European Hole in the Wall Camps; established to provide seriously ill children with recreational and therapeutic camping experiences.  The camp has grown from serving 124 children in a marquee in 1994 to over 12,000 children and their families from 23 European countries  and is now equiped with excellent medical facilities.

Every child (and their family) visits Barretstown free of charge (including any travel/food costs).  In order to do this Barretstown must raise over €4.5 million every year, with 96% of this coming from donations from companies and private individuals.  Now, obviously we are in a 'Credit Crunch' (queue the spectre of George Lee behind your shoulder) and the first thing that people stop doing is donating to charity and those like Barretstown, with such a lack of government support, are the first to suffer.  Key Notes has seen first hand what a positive effect Barretstown can have on the life of a child diagnosed with a life-threatening disease and has always been a supporter of the venture. Now, you too can help them.

On the 27th of February The Academy will host Inspirations - Gig of the Year.  Acts already confirmed for the event include Republic of Loose, Ham Sandwich, Sinead O'Connor, Engine Alley, The Blizzards, The Kinetics, Fun Lovin' Criminals, Shane MacGowan and The Walls with more to be announced soon.  All the bands will be performing songs that have inspired them and influenced their music. 

Tickets are available from usual outlets for a very reasonable (considering the amount of acts) €28.  So go on, get down to The Academy on February 27; you get to have a good night out and do something worthwhile at the same time!  What more could you ask for?

Ham Sandwich: Running Up That Hill (Kate Bush cover)

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According to a number of sources, including Drop-D and On The Record, the Meteor Music Award nominations were leaked online yesterday.  Though they will be officially announced today (28th) it would appear that the people behind the Meteors haven't figured out that the secret to a good awards show is variety.

This is Key Notes second draft of this particular blog.  The first draft was your typical 'how come my favourite band wasn't chosen' blog.  However, while writing that, Key Notes had something of a 'Road to Damascus' moment.  Not that I'm suddenly a God botherer or anything of the sort, but this blog now realises what 'normal' people have be trying to tell him for ages; music awards don't really mean all that much.  Of course, Aslan winning best band at last years Meteors should have been enough for Key Notes to lose all faith with music awards but no, it was something else entirely.

Looking through the nominees for this years Meteors there is a distinct feeling of 'Meh.'  There is far too much overlap for an award night that only has 8 categories.  For example, The Blizzards and The Script are nominated for both Best Irish Pop Act and Best Band.  Indeed, it seems that The Script are nominated in every category except best regional DJ and that's probably because not even Zach in the Meteor Music Marketing Department could convince his bosses that LA could be considered a region. 

Now, obviously Key Notes is being facetious but it's difficult not to be.  Perhaps it's a sign that we just don't have the quality and diversity of music in Ireland that those of us who write about it, talk about it, live it and breathe it think we have.  Or could it be that, shock/horror, the peope that run these awards (other than the Choice) don't actually do the dirty work and go to gigs on cold, wet Monday nights where the only other audience members are the support band and the barman.  Indeed it's difficult to see anyone from Meteor thumbing their way through the tiny (but important) Irish Independent Music Section in Tower when they've got all those Kings of Leon records to get to.  As an aside, Kings of Leon are set to headline OXEGEN again!!! Are they the new Red Hot Chili Peppers for the GAA-jersey-wearing-Tayto-munching-not-there-for-the-music-but-for-the-craic/crack festival goer?

Now, this isn't a 'Key Notes is indier-than-thou' blog.  Those sort of blogs I'll leave to the Skins-watching-skinny jeans brigade.  No, this is just one man finally realising that music awards mean nothing when there is so much great music produced that goes unrewarded.  It's only taken 26 years, but hey, better late than never.

For those of you who care/are interested here is the list of nominees:

Best National DJ

Tony Fenton - TodayFM
Dan Hegarty - 2Fm
Alison Curtis -Today Fm
Dave Fanning - RTE Radio 1
Ray Foley - TodayFM
Rick O’Shea - 2FM

Best Regional DJ

Dermot, Dave & Siobhan - Dublin’s98
Keith Cunningham - RedFM
Leigh Doyle - Beat 102.103
The Zoo Crew - Spin South West
Mark Noble - FM104
Jon Richards - Galway Bay FM

Best Irish Band

The Blizzards
Republic of Loose
Fight Like Apes
The Script
Snow Patrol

Best Irish Male

Mick Flannery
Damien Dempsey
Duke Special
David Holmes
Jape

Best Irish Female

Enya
Lisa Hannigan
Gemma Hayes
Imelda May
Tara Blaise
Camille O’Sullivan

Best Irish Pop Act

Boyzone
The Blizzards
The Coronas
The Script
Westlife

Best Irish Album

Fight Like Apes - Fight Like Apes & The Mystery of The Golden Medallion
Snow Patrol  - A Hundred Million Suns
Lisa Hannigan  - Sea Sew
Messiah J & The Expert  - From The Word Go
The Script  - The Script

Best Irish Live Performance

The Coronas
The Blizzards
The Swell Season
Fight Like Apes
Republic of Loose 

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Fear not, Key Notes hasn't gone the way of Zavvi or Lehman Brothers.  No, instead it was writing of a different variety, a hole in his leg and an addiction to appreciation of online poker that has distracted him. 

The 'new' Point
Christmas and New Year proved a quiet time gig wise but Key Notes did get his first 'audience member' look at the O2.  First off, it's a cracking venue and though he was there to see a comedy act it was clear that the set up is such that there really isn't a bad seat in the house.  Sound wise it also proved top notch.  Indeed Key Notes only complaint about the whole set up is that he had to choose between parking in Fleet Street and walking for 30 minutes or paying 15 recession Europe's to park near the venue only to get stuck in traffic before and after the event.  That and the branding...those blue lights will give you a headache.

Choice Music Prize Nominations
It's that time of year when the Choice Music Prize judges announce their shortlist and blogs around the country react with fury as to why their favourite band artist hasn't been selected.  Key Notes is no different and is surprised that neither Ham Sandwich nor The Dudley Corporation managed to make the cut.  However, it seems that most of the criticism this year comes from the selection of The Script, purveyors of heavily produced 'OC soundtrack' music that, while it might make teenage girls (and Key Notes' friend Jo) weak at the knees, has no place on a list that contains the beauty of Lisa Hannigan's Sea Sew and the genius of David Holmes' The Holy Pictures.

The shortlist in full is:

Fight Like Apes - Fight Like Apes and the Mystery of the Golden Medallion (Model Citizen)
Mick Flannery - White Lies (EMI)
Halfset - Another Way of Being There (Casino Gravity Records)
Lisa Hannigan - Sea Sew (Own label)
David Holmes - The Holy Pictures (Canderblinks)
Jape - Ritual (Co-Op)
Messiah J & The Expert - From The Word Go (Inaudible)
Oppenheimer Take The Whole Mid-Range And Boost It (Fantastic Plastic)
R.S.A.G. - Organic Sampler (Psychonavigation)
The Script - The Script (Sony Music)

Key Notes thinks that The Script will be early favourites with the redtops and Fight Like Apes with the public but that it will end up like last year and they'll draw a name out of a hat when the panel can't choose between the two best albums on the list (Disclaimer: this probably didn't happen last year and the best album won...probably).  Of this list, Key Notes wouldn't mind if Lisa Hannigan, David Holmes or Jape walked away with the prize

A Sorry State of Affairs
It comes as no surprise (indeed Key Notes was told before Christmas that it was 'probably' going to happen as advertising income was 'below expectations') but the end of State magazine as a printed publication brings to an end an interesting period in Irish music journalism.  It's appearance certainly made Hot Press up their efforts but its demise is a reflection of both global economic conditions and an inertia amongst advertisors who, when faced with a choice between something new and risky and something established and safe will always choose the safe option. 

Key Notes for one, would like to wish State best of luck in its online only guise but if you're looking for a website that offers the best in reviews, blogs, discussion and news then CLUAS in 2009 is the only site you'll need.

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