The CLUAS Archive: 1998 - 2011

08

A review of the album Colours of Sound by Autamata

Review Snapshot:  Electronica didn't really do much for me before listening to this record, and while listening to it hasn't inspired me to go clubbing in Ibiza (or wherever it is kids go these days) this summer, Colours of Sound is certainly a record that can be loved by those whose musical taste hasn't previously stretched to electronica.

The Cluas Verdict?  8 out of 10

Full Review:
Going to a disco in a small County Kildare town left you with two options.  You either liked grunge, and therefore moshed, or you liked 'rave' (or at least 2Unlimited's watered down version of it) and wore X-Worx jeans. There was no middle ground allowed, lest you wished to be associated with country and western.  It was a tough and unforgiving upbringing with lasting consequences as my decision to wear striped jumpers and ripped jeans while listening incessantly to Nirvana was one that has distanced me from electronica since.Autamata

So it was with apprehension that I approached Colours of Sound, the third studio offering from Ken McHugh and co, otherwise known as Autamata.  I was aware of the band, but I can't say I had to much inclination to listen to, let alone purchase any of their material.  Album opener Effervescent changed all that.  A beautiful instrumental piece, it's haunting melody doesn't so much set the tone for the rest of the album as pull you in to its arms like the whispered words of a new lover and then bang, by the time Cathy Davey lends her vocals to Cloud Seekers you've embarked on a full blown love affair with Colours of Sound.

Like all relationships, it has its rough patches.  Come Party at my House and Inter-railing don't feel as natural as the rest of the album and at 6 minutes and 33 seconds A Drive Through the Countryside comes across as a little self-indulgent on the part of McHugh but to be fair, if I could play as many instruments as he can, I'd be showing off too.

The best review I can give Colours of Sound is that it made me feel like I'd woken up in a Joan Miró painting.  Initially the minimalism drew me in but the more I explored the more I found myself in awe of the mountains of sound and rivers of colour.  It's an experience I'd highly recommend. 

Steven O'Rourke


More ...

[Read More...]

Posted in: Album Reviews
Actions: E-mail | Permalink |

Search Articles

Nuggets from our archive

2003 - Witnness 2003, a comprehensive review by Brian Kelly of the 2 days of what transpired to be the last ever Witnness festival (in 2004 it was rebranded as Oxegen when Heineken stepped into the sponsor shoes).