Bob Dylan has (cue mass rumbling of moral indignation) gone and done an ad for Cadillac to help them sell one of their top-of-the-range SUVs.

It's easy to get outraged by this sort of carry on, especially when you consider the anti-establishment line that defined his first decade as a performer. But, it's really no big deal.

Dylan nailed his colours to the corporate mast many a year ago (hell, there's probably some pompous heads out there who would try and tell you he did so back in 1961 when he signed to Columbia Records). There's been plenty of huffing and puffing at the various points when Dylan made it clear that cutting deals ...

Suffering from how-Radiohead-have-utterly-changed-the-music-industry fatigue yet? Yeah, me too. Despite this I have one final blog entry relating to the release of 'In Rainbows'. It'll be the last one from me, I swear.

I wrapped up my 'Radiohead in smooth download shocker' blog entry last week hoping that techie details of how Radiohead delivered the album would be released so that other acts in a similar position could at least go about a similar venture in an informed way. The details I was hoping for? They are at last out.

This weekend some fas ...

Looks like Radiohead's back room tshirt sales team geek team got their proverbial finger out. Despite their server crash last week and my fears for a meltdown today, I managed to download a copy of 'In Rainbows' from their (t-shirt shop hosted) web server this a.m without any problems. And it was downloaded in a matter of seconds.

I would not have been surprised if - after their website problems last week - Radiohead had used a specialist third party service to host their digital music files, but they appear to have kept it all in-house. The link they sent out for the download pointed to a n ...

Trent Reznor is stirring up a goodbit ofcommentary today having just announced (via his website) that is finally free of the contractual shackles of his label (Interscope) and looks forward to having what he calls a "direct relationship with the audience as I see fit and appropriate".

In April 2006 I saw Jane Siberry do a gig in Brussels. I won't labour you with the details but suffice to say she was – at least that night – away with the fairies. It was a terrible, toe-curling fest of an evening, certainly the worst gig of 2006 that I'd seen. But one thing about the night was very memorable. About half way into her set Jane (who was then, and still is, without a record contract) announced she'd be selling copies of her albums after the gig but – and this is where it got memorable - she had no pricelist as she was leaving it to us to decide what we wanted to pay for each CD. Now that was something I'd never heard of before, or since.

September 29th marked the six month anniversary of the launch of the Irish Times blog section. The first of their blogs to go live was Jim Carroll's On The Record (the first entry of which was posted on March 29th). The Present Tense, Pricewatch and Correspondant blogs soon followed, alt ...

Amazon's MP3 store went live yesterday (well, it opened its doors as a public beta) on the US Amazon site. At a quick glance it is an impressive offering for a Beta:

• All MP3s they sell are without any form of copy-protection.
• About 2 million songs are available for purchase which, for a freshly launched public beta service, compares favourably to eMusic and Apple (who claim 2.7 million and three million tracks respectively).
• Half of the songs are priced at US $0.89, the rest at US $0.99. This is cheaper than iTunes DRM-free MP3s ($1.29 each), but eMusic still offers a better deal to US downloaders
• Prices for complete al ...

In recent months there has been growing talk of services that would allow music fans to download legal MP3s for free, thanks to the support of ads. While a number of services are already seeing the light of day the bad news is that not all of them can be used by music fans outside of the USA or Canada.

Take Spiral Frog. Launched last week (6 months after they originally planned) they describe themselves as a "Web-based, ad-supported music experience, combining music discovery with the free acquisition of audio and music video files". Right. Boiling it down to brass tacks, they current ...

Matt Cutts (a Google employee whose blog I dip into for nerdy hints on how Google's search engine works) last week posted, as a diversion from his usual geeky stuff, a blog entry about a fledgling business idea he had that touches directly on music and how it is consumed today.

His idea (which BTW he has no intention to follow up on) was for a company to provide a service of making someone's illegal MP3s legal. Something along the lines of allowing the company to scan your music collection for illegal file-shared MP3s and to convert them to legal MP3s (with high quality bitrates and maybe cover art, lyrics, etc). (Obviously there are privacy & trust concerns with letting a company scan your computer in such a way. But for the sake of exploration let's assume that a company offering such a hypothetical service is a) considered trustworthy by its targeted consumers and b) addr ...

The New York Times annonced this week that they were going to stop charging for access to parts of their website (they had been charging $49.95 a year for online access to the work of its columnists and its archives). Despite persuading 227,000 readers to pony up the money (and netting about a tidy little 10 million dollars a year) they have done the sums and realised that, if they open up their website to everyone and run ads on each page, they can actually make even more money.

Indeed, subscription-based models for accessing web content are slowly - but surely - dying. All thanks in the ma ...

Blogging will be light from me until early September. In meantime here's a few links that caught my eye recently:

• It turns out that YouTube's Terms & Conditions state that it can license any content uploaded to its servers as it sees fit. CNET have the details. Any independent bands uploading, for example, DIY videos of their music to Youtube should sit up and take note. A similar broo-ha hit the interweb last year for MySpace but a campaign - spearheaded by Billy Bragg - got them to dilute down their terms. Will YouTube, like MySpace before them, soon do the decent thing?
• 

Yesterday the Consumer Association of Ireland published the letter they sent to MCD after receiving complaints from hundreds of ticket holders for the Barbara Streisand gig in Celbridge. The letter seeks a refund in addition to compensation for the complainants that contacted them.

Will MCD cough up? Many doubt it and that what awaits us, once they send in their reply to the CAI, is another round of phone-ins to Joe Duffy featuring some of the punters in question, the CEO of the CAI and a PR person from MCD going on the defensive with a list of banal talking points. And then it'll all quieten down, until the next concert controversy.

The Consumer Association of Ireland (CAI) today published a letter it sent to MCD, motivated by 95 complaints representing 343 ticket holders to the Barbara Streisand concert in Celbridge.

No matter what you think of Madame Streisand's music (or, for that matter, of people prepared to cough up a fortune to sit in a field and listen to it) the letter presents a long list of complaints from a large number of punters.

The letter seeks not only a refund but also compensatation for the complainants for "their lack of enjoyment of the concert" (although I do note that the ...

Twenty-five years ago, on August 17 1982, the first ever CDs rolled off an assembly line in Hannover Germany. And the music that was on those first CDs? Some future-focused music of the day? Maybe New Order's 'Temptation'? Or Simple Minds 'Glittering Prize'? Or even the Stranglers 'Golden Brown'? No, the first music on the first CD was Richard Strauss' Alpine Symphony.

The first CD player hit the shelves a few months later on 1 October 1982. A Sony player, it was initially available only in - where else but - Japan. And the first CD t ...

NME are reporting that the new Radiohead album (which was remastered last month) won't be out until 2008. I can only speculate, but there may well be some fascinating stuff going on behind this decision to postpone the release.

With Radiohead out of a contract, their non-aversion to corporate bashing (despite being signed for years to a multinational) and the music industry up in arms over what the future holds, I suspect that they are planning some innovative means of getting the album out there. I certainly don't expect them to do a Prince and stick a free copy of the album on the cover of the Daily Mail, nor just release it via iTunes or eMusic or Amazon's ...